This weekend marked the beginning of picture book number three. I'm not going to reveal the concept and title just yet as I'm still playing with it but I have started sketching. And it feels exciting!
The first thing I do with a book idea is think about how the words and illustrations will fill the book. Is the idea big enough? I use a fresh sketchbook for each idea and first write down the proposed wording and split it into 26 sections that feel right. Bearing in mind good moments for page turns and how illustrations may fill the page or whether they may be across a spread or just a spot picture in the middle. I then start sketching, very roughly, using one page of the sketchbook to represent each page of the book. This gets my creativity flowing, a bit like free writing. Nobody really sees these pages so they are messy and simply to get the idea for each picture started. I then switch to digital drawing in Photoshop when I feel ready.
While doing this I am bearing in mind that most picture books are 32 pages but this needs to include end papers and the title page. The advantage of independently publishing is that you can play with this convention a little bit but you do still need to stick to multiples of four because of the way printers work. I am working on a 'how to' guide which will include everything I have learnt on my journey so far but one of the important things is that print on demand via Createspace or Ingram Spark will always need to include a blank page at the back of your book where they put their barcode and reference code. I think this helps them to match the pages with the cover in their print factories. It isn't too noticeable in a novel but really stands out in a picture book and takes up valuable space. So don't be caught out by this requirement and make sure you include it in your maths!
Below is my first digital sketch for book number three. On the left is the sketch from my sketchbook - it's actually unusually tidy for my first attempt! These little cats will appear somewhere in the middle of the book but they captured my imagination so I started drawing them first. This is unlike me. With An Amazing Alphabet of Cake I worked religiously from A to Z but without the structure of the alphabet I feel I can be a bit more free. I was pleased with the expressions on the cats' faces in my initial sketch and was worried I might lose this in the digital version. It still needs work but is getting there. I really want the cat on the wall to be a tabby so my next challenge is to see if I can make some stripes work on him.
It feels fantastic to be drawing again. Almost like coming home. Having published two picture books already I feel the process is becoming more familiar. I know what I can achieve and it spurs me on to take little steps, even when it feels like a mountain ahead, knowing that one day I will be holding book number three in my hands and starting on book number four.
